My daughter wants to see the Kidz Bop on Tour but they are not coming to our city yet. Well you know you want to buy Kidz Bop 28 for the kids (or yourself)- BUY HEREįollow Kidz Bop on FACEBOOK and stay up to date on all new music and tours! People must think we are crazy when they are driving past us. We drive another little girl to school on some mornings and we have so much fun singing and dancing in our seats. Joe and Stanley are joined by guest presenter. My favorite song is “Uptown Funk”, I know so silly but this CD is fun. With Kimberly Wyatt, Katie McGlynn, Kidz Bop and Magic Singh. Shhh don’t tell my daughter but I listen to the CD on the ride home.
#Kidz bop kids kidz bop 28 series#
The series was developed by Razor & Tie co-founders. Sing along to today’s biggest songs, all sung by kids for kids. I don’t mind listening to Kidz Bop 28 at all because the songs are awesome and I don’t have to listen to swear words. Kidz Bop Kids: Kidz Bop is a brand of compilation albums featuring kids performing current pop hits. KIDZ BOP 28 features some of the hottest songs of the year This awesome, kid-friendly album features tracks like Uptown Funk, Blank Space, Thinking Out Loud, Lips Are Movin’, and many more. My daughter sings to this CD every morning on the way to school. She knows know every song by heart but her favorites are “Thinking Out Loud” and “Blank Space”. In the first Kidz Bop compilation album, the “edge” of popular music was defined as the adult voices singing the songs, rather than their content, which is why a backing chorus of children was added: Shania Twain’s “That Don’t Impress Me Much” was still invested in staying warm in the middle of the night, and the subject of Ricky Martin’s “Livin’ La Vida Loca” has “devil red” lips and is still “like a bullet to your brain,” despite the chorus of preteens screaming along with the adult lead vocal (and rendering the earlier albums nigh unlistenable).Oh my goodness…this girl plays Kidz Bop 28 every time we get into the car. Created by record executives Craig Balsam and Cliff Chenfeld after realizing the challenge of finding kid-appropriate music that parents could tolerate, Kidz Bop set out to “take the edge off a little bit so that parents and kids both feel comfortable.” But in the beginning, that edge had very little to do with lyrics. The conservatism at the heart of such edits is undoubtedly a matter of perspective-many parents would applaud these choices, which theoretically remain in line with the original brand mission. So although the body-positive message of Meghan Trainor’s “All About That Bass” managed to survive the Kidz Bop translation process, other instincts are more protective than productive, as when Swift’s “tight little skirt” in “Style” gets turned into “favorite shirt,” as though even the idea of a “favorite skirt” is too risqué. Kidz Bop is in a position to help introduce meaningful concerns regarding social and cultural identity to children, in a media space where these ideas could be raised productively, but doing so threatens their reputation as a safe space for even the most protective parents. While we could identify these as “post-identity” politics (post-feminist, post-racial, etc.), here they are closer to “pre-identity” politics, operating under the belief that kids should not yet be dealing with these issues. Kidz Bop has faced such criticism before, drawing complaints in 2011 for removing the explicit references to issues of sexuality, race, and ethnicity from Lady Gaga’s “Born This Way.” But in light of the brand’s growing conservatism, it’s not shocking that Kidz Bop’s values would shy away from addressing issues of identity and struggle in contemporary society.